Working with one long and one short weapon – a stick and a knife, or a long blade with a shorter blade – is obviously a little more difficult than working with a single weapon or two weapons of the same size.  Espada y daga (sword and dagger) training is thus extremely rewarding and quite a bit of fun.  One way to develop coordination and speed when wielding the sword and dagger is a basic five-strike drill I learned during Kali training at the Syracuse Wing Chun Academy.

Sifu Anthony Iglesias (foreground) instructs students in Espada y Daga.

The angle numbers to which I will refer are based on the 17 Angles previously described in The Martialist.  (Remember that the orientation is flipped for the left hand, as the angles are illustrated for the right hand only in the 17-angle pattern drill.)

The author (far right) and students observe an espada y daga drill.

The relatively simple five-strike drill illustrated here is done from a standing position first, then with basic forward-and-backward footwork.  When students are comfortable with this, they graduate to circular footwork in which students pivot around an imaginary point between them.  The basic drill is as follows:

WARNING! Knife training is inherently dangerous.  The staff and publisher of The Martialist are not responsible for any injury that occurs during such training.  Use a safe, dull TRAINING KNIFE only in learning and practicing any pattern drill.

	Ready Position The ready position assumed first is a defensive posture in which the knife (left hand) is held low at the waist, close to the body.  The elbow is tight, not cocked out from the torso (a common mistake).  The right hand holds the stick (which could also be a long blade) parallel to the knife with the arm across the body.  From here we are ready to begin striking.
	01: Angle Two Witik Strike and Retract The stick travels in a backhand Angle 2 strike across the opponent's body.  It whips out quickly, retracting to a ready position under the knife arm.
	02: Angle 6 Knife Strike to Ready Position As the stick chambers, the knife arm delivers an Angle 6 strike to the opponent's right eye and follows through in an arc.  The arm comes across the body in a protective posture.
	03: Angle 4 Strike to Ready (Start) The stick moves out in an Angle 4 backhand lower across the body.  It follows through to a ready position on the right side.
	04: Angle 7 Knife Strike and Retract As the stick moves to the right-side ready position, the knife strikes out to the opponent's left eye and is retracted to the starting position.  One variation of this drill adds two more strikes from this position – a low shot and a duplicate high shot.  With or without the variation, this strike meets wrist-to-wrist with one's training partner.  (If you're too far or too close to do this comfortably, you're footwork is off.)
	05: Angle 1 Strike to Ready As the knife retracts to its original ready position, the body turns and the stick comes across the opponent's body in a finishing Angle 1 strike.  It follows through completely and chambers in the ready position.
	Final Ready Position If everything went as it was supposed to go, you're back where you started and ready to start the cycle over again.  As you progress, you will begin to flow through the techniques instead of seeing them as individual pieces of the drill.

It should go without saying that the body naturally twists with the strikes as needed.  Integrating footwork with these movements makes them much more effective.  There are three steps in the final evolution of the drill.  Beginning with your right foot forward in a right front stance...

• Step forward to the side with your left foot while delivering the first strike and the follow-up knife shot.
• Bring your right foot behind your left foot, cross-stepping as you complete the knife strike and deliver the second stick strike with its follow-up knife blow.
• Step back with your left foot and shift the angle of your right foot to recover your right front stance, delivering the finishing fifth strike as you do so.

Performing these steps repeatedly, students move in a circle around a point forward of their right feet.  Two students working together can circle that point opposite each other.  Their sticks meet on the strick strikes, while the first knife strikes miss each other and the the second knife strike meets wrist-to-wrist.

Sifu Iglesias emphasizes proper striking angles.

This may sound complicated, particularly in text form, but once you've got the basic pattern and learn to move the limbs simultaneously, it comes together nicely.  When learned properly the drill appears very graceful.  It is an excellent tool for developing fluidity while wielding weapons and practicing one's footwork in conjunction with striking angles.